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Curtain Blue's "Yeh Duniya" Is the Sound He's Been Looking For

A living room, an unfinished song, and 800,000 views later — Abhishek Bhatia finally has the release that makes sense of everything that came before it.

Drishti Mehta

Photo: YouTube/Curtain Blue

Abhishek Bhatia grew up in a home where old ghazals and folk records played like background noise — not as a lesson in music, but just as part of daily life. Years later, after building a sound through New Delhi experimental rock band The Circus and then launching Curtain Blue as a solo project, he spent a long time figuring out how the Indian instrumentation he grew up hearing could exist alongside the electronic music he fell in love with. "Yeh Duniya" is the first time the two sit together without either one giving way.

Curtain Blue, the solo project of New Delhi-based producer and singer Abhishek Bhatia, released "Yeh Duniya" — a song that arrived before it was ready. In March 2026, he posted an unfinished version to Instagram as a living room performance. It crossed 800,000 views before he'd even finished writing it. The fully realised version, released in collaboration with Warner Music India, doesn't try to recreate that clip so much as build on what was already there.

Photo: YouTube/Curtain Blue

It opens with minimal instrumentation, Bhatia's voice coming in quietly before the production fills out — harmonium, sarangi, brass, electronics — landing all at once rather than building to a drop. Earlier Curtain Blue releases like "Drones" and "S.T.R.I.P.E.S" established his instinct for layered, textural production. "Yeh Duniya," his first Hindi-language release, is the one where that Indian instrumentation isn't just part of the arrangement anymore — it's what the whole song is built on.

The song's central line is simple: "Na hum jaane, na woh jaane, kaun hai." Neither of us knows who we are. Sung any other way, that might read as a crisis. Here it sounds closer to relief.

The music video, directed by Maan Boruah (@maan_boruah), moves from a forest clearing to a Delhi brass band arriving almost uninvited, to people in white gathering and slowly giving themselves over to the music. Everyone in the video wears white except Abhishek, in brown. He's not fixed outside the circle — he moves in and out of it, dancing with them at points, stepping back at others. By the end, he's alone by a fire at night, the crowd gone from frame — someone who let himself get close enough to almost disappear into it, and didn’t.

"Yeh Duniya" is out now on all streaming platforms.

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